From the author of Gods of Jade and Shadow comes this reimagining of the classic gothic suspense novel, a story about an isolated mansion in 1950s Mexico--and the brave socialite drawn to its treacherous secrets.
He is trying to poison me.
You must come for me, Noemí.
You have to save me.
After receiving a frantic letter from her newlywed cousin, Noemí Taboada heads to High Place, a distant house in the Mexican countryside, unsure what she will find.
Noemí is an unlikely rescuer: She’s a glamorous debutante, more suited to cocktail parties than amateur sleuthing. But she’s also tough, smart, and not afraid: not of her cousin’s new English husband, a stranger who is both menacing and alluring; not of his father, the ancient patriarch who seems fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. …
From the author of Gods of Jade and Shadow comes this reimagining of the classic gothic suspense novel, a story about an isolated mansion in 1950s Mexico--and the brave socialite drawn to its treacherous secrets.
He is trying to poison me.
You must come for me, Noemí.
You have to save me.
After receiving a frantic letter from her newlywed cousin, Noemí Taboada heads to High Place, a distant house in the Mexican countryside, unsure what she will find.
Noemí is an unlikely rescuer: She’s a glamorous debutante, more suited to cocktail parties than amateur sleuthing. But she’s also tough, smart, and not afraid: not of her cousin’s new English husband, a stranger who is both menacing and alluring; not of his father, the ancient patriarch who seems fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom.
Noemí's only ally in this inhospitable place is the family’s youngest son. But he too may be hiding something dark. For there are many secrets behind the walls of High Place, as Noemí discovers when she begins to unearth stories of violence and madness.
Mesmerized by this terrifying yet seductive world, Noemí may soon find it impossible to save her cousin—or even escape this enigmatic house.
Very gothic old school style horror complete with a crumbling house up a mountain, shrouded in mist and riddled with mycelium. I found this very creepy and engrossing, and the details of the mystery at hand kept me wondering.
This ended up being the third of 4 stories I read this year that were all variations on the Fall of the House of Usher (including the original), and I think it's my favourite. The slow pace with which the protagonist (and by extension us the readers) learn what exactly is up with the house felt realistic and made for great tension because there's such a long period in which it's clear that something is Very Wrong but not what it is. And along the way Moreno-Garcia gets in some choice digs about what colonisers are and do, including to themselves and each other. Deliciously gruesome.