Takes three pervasive infrastructures and in a simple graphic treatment breaks them down in systematic detail, in historical and social context, and prompts questioning inequities and future reconsiderations of these built systems and their relationships to our global ecological society.
Je größer aber der Bedarf für die Reduktion von Unsicherheit ist, desto stärker wird an den Überzeugungen festgehalten, desto vehementer verteidigt man sie gegen Gegenargumente und widersprechende Evidenz.
@cowboy@bookwyrm.social while the Name of the Rose is certainly more "consumable" the Pendulum blow my mind. Thats actually one of my favorites books. So dense and full of history that largely actually happened ... a masterpiece.
No other English translation of this greatest of the Chinese classics can match Ursula Le …
To be in favor or disgrace
is to live in fear.
To take the body seriously
is to admit one can suffer.
What does that mean,
to be in favor or disgrace
is to live in fear?
Favor debases:
we fear to lose it,
fear to win it.
So to be in favor or disgrace
is to live in fear.
What does that mean,
to take the body seriously
is to admit one can suffer?
I suffer because I'm a body;
if I weren't a body,
how could I suffer?
Two time-traveling agents from warring futures, working their way through the past, begin to exchange …
a teapot in a tempest
5 stars
"This is How You Lose the Time War" asks the reader to perch on the shoulders of two operatives on opposing sides of a time-traveling war.
Each chapter follows "Red" or "Blue" as they scurry up and down timelines and across dimensions. The book is both sweepingly broad and extremely contained and personal.
The settings flit by, dizzying: a temple for mechanized humans, an ancient holy cave, the assassination of Caesar - each sketched with broad, emotional strokes to give the setting an aesthetic. One gets the sense that a great web of cause and effect is being constantly constructed, altered, and destroyed, without ever seeing the full picture.
Against these backdrops, the characters "Red" and "Blue" write to each other - as nemeses, then as friends, ever deeper entangled even as they demolish each other's plans and forces. The letters make up an enormous part of the experience, and …
"This is How You Lose the Time War" asks the reader to perch on the shoulders of two operatives on opposing sides of a time-traveling war.
Each chapter follows "Red" or "Blue" as they scurry up and down timelines and across dimensions. The book is both sweepingly broad and extremely contained and personal.
The settings flit by, dizzying: a temple for mechanized humans, an ancient holy cave, the assassination of Caesar - each sketched with broad, emotional strokes to give the setting an aesthetic. One gets the sense that a great web of cause and effect is being constantly constructed, altered, and destroyed, without ever seeing the full picture.
Against these backdrops, the characters "Red" and "Blue" write to each other - as nemeses, then as friends, ever deeper entangled even as they demolish each other's plans and forces. The letters make up an enormous part of the experience, and they are comic, intimate... poignant. I didn't give a damn about the war - I just wanted these two characters to be alright.
I loved it. I stayed up past midnight every day I was reading, which wasn't long because I had to see what came next and kept reading.